Comics of the Week

The final issues of four Batman books came out this week. Each ended in its own way, and not necessarily for the best. Although there are still two more weeks to go until the DC reboot, this week felt like the last week to me, as the books left to end have not been my favorites.

Batgirl #26 was going to be difficult, no matter how you cut it. The character has the most uncertain future in the new reboot. Stephanie Brown will not be Batgirl in September, and we really don't even know if she'll be at all. I get the sense that Bryan Q. Miller had big plans for this book and the reboot decision really threw him off the rails. The previous issue was a lot of fun and seemed to be building towards a climax, but it was clear going into this issue that it was a climax that would have been nearly impossible to pull off in one issue. Instead, we have a story that reaches more of a stop than an end. I can't really say I blame Miller for the sentimental and somewhat meta touches at the end, though I'm not sure they came off too well. I sincerely hope he is given a chance in the coming months, to write another big book for DC, because some of the best books in the past two years were Batgirl issues.

Batman and Robin, as a series, has gone through several changes. It started with Grant Morrison on a very high note, bringing a freshness to the concept that was much needed. The character of Damian, in particular, was developed into one of the more interesting characters in the DCU, mostly in this title. Even as creative teams changed, the book always maintained a certain energy, thanks to the relationship between Dick and Damian. This relationship is what I will miss most in the new DCU. This issue, by David Hine and Geg Tocchini was interesting. Rather than giving us an ending, it's just another story, and a crazy one at that. What I think they managed to do was to subtly give a nod to the surreality of Morrison that was somehow all their own. The art didn't work in a few places and there could have been more focus on the Dick and Damien relationship, but I think just telling another story was a bold choice to take with this book.

Tim Drake is a badass. Throughout this series that's never been in doubt. As a whole, the series had it's ups and downs, but was always solid even during the few issues that weren't terribly exciting. Fabien Nicieza made a different choice than Miller and Hine in ending this series. He didn't go with sentiment and also didn't go with just another story. This story was not just a regular adventure for Red Robin. This was about a moment of truth for him and one that ends on an ambiguous note. At the end of this issue, reboot or not, Tim has a lot of decisions to make about what kind of man he is going to be, what kind of hero. He needs to decide what the balance is between vengeance and justice. He's always been the Robin that was most like Bruce but here he shows he is his own man or is at least on the verge of being his own man. It would have been interesting to see where Nicieza would have gone next with this character. I will miss this book.

I ran out of great things to say about Scott Snyder, Jock and Francisco Francavilla on Detective Comics several issues back. I repeat that this will be considered one of the greatest comic runs in history for years to come. This issue was no exception, ending the story just as strong as it started, if not stronger. Ending a title that has been around for 70 years on such a high note is a huge accomplishment. The tension that had been built throughout the run was not squandered by rushing the ending, which is a common problem. Snyder has proven himself to be a master storyteller, start to finish, with this. He took his time in all the right places and delivered a surprising and satisfying ending to both the stories of James Gordon and Dick Grayson.The art on this issue featured both Jock and Francavilla, in a seamless interaction of styles. This is an incredibly rare thing. In most cases, two artists working on one book, even when both are brilliant, can be jarring. At the end of the day, I don't really care who did what, because they are both masters and the results speak for themselves. It will be interesting to see Snyder on Batman in September, writing Bruce Wayne.

Comics of the Week

Boy, what a let down. Detective Comics 880, by Scott Snyder and Jock missed every chance it had at being a great comic.  Here we have the next escalation in the ever increasing tension of the story of James Gordon's son, which, last issue, hinted at crossing over with what could be the creepiest Joker in recent memory. Well, here, the ball is dropped. The art, it just, insists on itself. Just look at that cover. It says it all. The writing . . . I can't do it. This was AWESOME, from the cover to the last panel! I just can't figure out a way to write about just how fantastic it is anymore. Every issue in this run has been better than the previous one, tightening the tension to almost unbearable levels. The revelations in this issue amp up the creep factor and instead of releasing the tension, it just takes it further. This run will go down as being among the classic runs in any comic, not to mention one of the best Batman runs ever.

Cobra #3 is the closest the relaunched IDW books have gotten to what they had going before they killed Cobra Commander. Mike Costa shows us just how powerful Tomax is. He knows he won't be the new Commander, but I'm not sure it matters to him. He only cares about vengeance at this point and he certainly has the means to take down G.I. Joe with or without Cobra. He's cool and calculating, but underneath that is the pain of losing his brother. It will be interesting to see if he winds up at odds with Cobra. As it was before the relaunch, this title is the best of the Joe books.









In X-Men Schism #2 the mutants continue to stand firm against the increasing distrust from the rest of the world. Scott is making some very Magneto-like choices, while Wolverine is showing his softer side here. I like this reversal quite a bit. What holds it all together is the obvious respect the two characters have for each other. This would be a run of the mill event if not for the deep character and relationship work going on here. Jason Aaron writes a great Wolverine, but here we see he can write Scott just as well. The art in this book, by Frank Cho, is just gorgeous. The lines may be clean, but the details are many in each facial expression. Cho's Wolverine, in particular, is a story in itself. Much like Trick Daddy, Logan loves the kids.

Comics of the Week

Morning Glories #9 went back and covered what happened to Jun during the events of the first issues when he snuck out of the dorm on his own, and uses this to give us his back story. There are twists throughout, and while none of them are necessarily shocking, the overall story is very well told. Nick Spencer has demonstrated that he knows when to drop pieces of the puzzle and use them to reveal character and depth. Joe Esima's art is masterful. The pages really do come alive. I would love to see this series in an animated version, using Esima's art. There really wasn't one moment in the book I could single out, as the whole issue was just very well put together. I highly recommend getting on board with this series from issue 1.

Detective Comics #876 starts a new story arc with a mystery. A killer whale carcass is found in the lobby of a bank one morning and Commisioner Gordon calls in Dick Grayson (not Batman) to help with the investigation. The story, I'm sure, will progress beautifully in the hands of Snyder as we continue to learn about Gordon's son and Dick's past. There are no complaints about the writing here. But this issue is about the art. Jock is a master. There's really no other way to say it. Turning a page to find this image made me stop and just stare for a bit.

My return to Marvel continues with FF#2. It turns out Hickman isn't all about high concept (Pax Romana, S.H.I.E.L.D.). Here, he demonstrates his ability to play with characters. It's a high compliment that I've never read Fantastic Four or really cared too much about them, but reading this series, it all still rings true. The chemistry of these characters is very clear, and makes me want to see more of their interactions, both negative and positive. Here, Doom has been brought in by one of Reed's children. The mission is to cure Doom, who apparently had suffered a great reduction in his brain (I believe this happened during the Fall of the Hulks storyline). Hickman and Epting manage to put you in the room for every moment, no matter how subtle. I don't know how they manage it, but I can hear the pauses in this exchange, even though there are no wordless panels in it.

Damn Good Comics - Detective Comics 875

Where this months Walking Dead was a perfect example of how to do elements of a long form comic book story by establishing tone and character over time, Detective Comics #875 was a perfect self contained story that, although it refers to previous issues, stands on it's own and is just perfectly crafted.

This was a Commissioner Gordon issue, focusing on his son. I urge you to go read this issue if you haven't. I don't want to get  into details here, because I'd rather you read it for yourself, but the structure of the story, the way it unfolds, is just perfect. Scott Snyder and Francesco Francavilla have outdone themselves here by creating something that could easily be a film all on it's own. It's  noir, it's psychological, it's hard boiled, it's a mystery. But above all, it's a story well told, through words and art in perfect harmony.